A journey through Mumbai, is an experimental film about the differences in architecture and culture in the richest city of India. A place where two buildings can stand side by side and tell the stories of two cites. But instead of a commentary on the subject, this film invites the viewer to draw their own conclusions by watching still photography and the moving image of these constructs, and draw upon their own emotional responses unhindered by another persons perceptions.


Director Statement 
With this film, we set out to do something very different to our prior short films. We intended to let the audience tell their own story, to perceive through the images and sounds of Mumbai, what is important to them.

It is a journey, not just thorough India’s Economic heartland, a City where Poverty and Grandeur sit side by side. It was our objective to make this a journey of the self, where the viewer’s perceptions, knowledge, prejudices, hopes and dreams, would create a meaningful and unique experience for that person.

So we invite you, to perceive, to feel, to tell your own story. The Story. A journey through Mumbai. But more importantly, a journey of your on devising, those meanings and symbols only you could know.

Directed and Produced by: Tony HooperCamera: Kirsten HooperProduction Assistant: Vineet Mehta

  • A Lying Tongue (no text)
    A Lying Tongue (no text)
  • No Fuel
    No Fuel
  • A Journey through Mumbai
    A Journey through Mumbai

About the author

Tony Hooper’s career began in the corporate world, however that changed dramatically with a move into the Media industry. He began making short documentary pieces (on aspects of business) and in exploring his more creative side he produced a number of short films, including the series “Stock Footage Fairytales” (now being remastered). He has worked on a number of music videos and commercials, as well as writing screenplays for both short and feature film. Tony is currently exploring the intrigues of experimental film while preparing for his debut directing a feature. He is a CPA, and a member of a number of screen bodies, and has worked within the corporate sector for over a decade, including as a Senior Executive in a major media company. His plethora of experience, from negotiating contracts, reporting financial affairs, and managing film sets, and his adaptability with situations and technology, has given him a wide breadth of knowledge on all aspects of production.

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